Media

Kanto Magazine

At the Venice Biennale 2022, the Philippine Pavilion: Andi taku e sana, Amung taku di sana visualizes the soundscape of local cultures, weaving voices, practices, and issues that foster collaborations” – John Alexis Balaguer, Kanto Magazine

https://kanto.com.ph/voices/soundmarks-philippine-pavilion-at-the-venice-art-biennale-2022/

Philippine Tatler 

 The exhibition opens new doors for these age-old traditions through the artists’ unique contemporary take on them. Moreover, it reintroduces to the people a paradigm of a community governed by peace, harmony, and fellowship—some of the qualities that matter the most in this period of our continuous history.” – Franz Sorilla IV, Philippine Tatler 

https://www.tatlerasia.com/culture/arts/59th-venice-arts-biennale-2022

Metro Style 

Local Philippine textiles and sound are woven to create a transportive experience.”

https://metro.style/living/tips/philippline-pavilion-at-the-59th-venice-art-bienna/32847

FAD Magazine

“My top picks at the first Venice Biennale since it was postponed during the Covid-19 pandemic, include artists whose work reflects the instability of the world exacerbated by the climate change emergency and war, or who offer an escape from reality through the creation of surreal, dream-like imagery.” – Lee Sharrock, FAD Magazine

https://fadmagazine.com/2022/04/26/dreams-v-reality-at-the-venice-biennale-2022/?fbclid=IwAR2bx7o1XW_zWDUClTIjnYpHZd_1IkNm4-l2p836SEJtfsuXVjvlwFsjNzk

Philippine Daily Inquirer 

PH’s ‘woven sounds’ and elegant weaves at 2022 Venice Art Biennale

https://www.pressreader.com/philippines/philippine-daily-inquirer-1109/20220424/282359748268092

The Philippine Star

Sound transforms into something visual and tactile, and then becomes sound again. A metaphor for how art or life or the world itself is changing at a dizzying pace, and one way of dealing with it is being open and participatory.” – Igan D’Bayan, The Philippine Star 

https://www.philstar.com/lifestyle/arts-and-culture/2022/05/02/2178066/contemporary-art-rhythmic-pulsing-has-texture-textile

“The long and winding weave: The “Andi taku e sana, Amung taku di sana / All of us present, This is our gathering” exhibition is a process-oriented one. It consists of field recordings, music and sound transcriptions, art patterns and weaving.”  – Igan D’Bayan, The Philippine Star 

https://www.philstar.com/lifestyle/arts-and-culture/2022/05/09/2179628/backstage-biennale

Through the exhibition, we hope to introduce and express ourselves (the Filipino people) to the world. Our country is rich in culture and tradition, and each piece of Filipino art was inspired by a story. We believe these stories deserve to be shared and passed on from one person to another, and that the Filipino talent and creativity is worth bringing to the global stage.” – Loren Legarda in an interview with Igan D’Bayan, The Philippine Star 

https://www.philstar.com/arts-and-culture/2022/05/02/2178065/loren-legarda-each-piece-filipino-art-was-inspired-story/amp/

Photos

If you need high-resolution copies of the photos below, please email pavb: info@philartvenicebiennale.net

Preparatory

Set-up and Installation in Venice

Exhibition

Opening Ceremony

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